Friday, 6 January 2017

COP3: Andrzej Klimowski-The Secret


 

Polish artist-illustrator of The Depository. The narrative is rendered entirely as a sequence of 300 pages of compelling drawings and photo-montages.

These pages are actually very interesting. I think the singular panels on a single page actually works very well. I wonder if I could make a short collected booklet of my first 3 strips using this kind of format. This wouldn't really be a final piece but more the exploration of format.

Wednesday, 4 January 2017

COP3: Panels?

I know I want to do set panels, briefly thought about a four panel but I think I prefer the 6 paneled!

COP3: Re-looking at Dykes To Watch Out For


When I think of what artists I've looked at and who is influencing my work, I think of Dykes To Watch Out For as the bed rock. Although it is not autobiographical really it is heavily informed by Bechdels experiences with the LGBT community. Fun Home is her crowning achievement, but I think is equally important as her it was basically her LIFE for so long.

I feel it doesn't get as much attention because it's "queerer" (even shows in the title, with the word "Dyke" being the first word) and made with a LGBT audience firstly. Alison Bechdel wanted to show the world the inner lives of a community of gay women, but a lot of the content is made to be understood and appreciated by LGBT people. When jokes are made, they're made in a nudge wink fashion. Fun Home I feel is for more a general audience.

How can I reflect the influence of DTWOF in my finals? 

  • Everyday scenarios
  • Mixture of humous and more serious content. 
  • Single Page strips. 
  • Black & White???? need to test that.

Tuesday, 3 January 2017

COP3: Love Is Love Anthology


Article HERE

A comics anthology dedicated to the Orlando Pulse Shooting victims.

I feel uncomfortable with DC + Marvel putting work into this, just because of my research into how they were so strict on CCA rules back in the day, HOWEVER I feel the sentiment is very nice and for a great cause.

I think this does show how comics and these kind of issues have and always will be linked. As Bechdel says "comics are a queer medium"

Monday, 2 January 2017

COP3: ABANDONED IDEA


Some pages from what was going to be my final piece, but as you can see by these sketches, I was hating it a lot! I want something I can be proud of and something I'm confident in and this isn't it.


The panels are boring, I'm rambling too much etc, time to start my new idea of single page strips!

COP3: Final Crisis and a Critical Incident


There's a lot of text here, but it's all important.

I've come to a bit of a crisis point. I've come to realise this publication isn't going to happen, so I need to do some damage control, sort myself out. It's like dragging a corpse and every extra minute I spend on it is a waste of time.

In fact through talking to other people the idea of purposely creating a publication now seems ridiculous. Most of my researched artists did not start out with intent of creating a publication with their autobiographical comics. The comics have always been singular strips that have been published singularly, only years and years later were a selection of these strips collected into books. 

I think in hindsight my research has blinded me. I've been reading most of these women's strips via the collected editions, as it gave me easy access to reading a body of their work. This has brought me to associate autobiographical comics more with books and publications rather than the ongoing diaristic process. They never set out with intent to have these collected into the thick books I'm reading. I have not been viewing these strips in the setting they were meant to be viewed in, thus I've lost an important piece of context that could have helped me from the beginning.

Further more as I mention in my essay and talked about on my blog but have neglected in my practice: most modern female artists currently purely publish on social media platforms such as twitter, instagram, websites and blogs. The alternative newspapers Alison Bechdel published in are pretty much dead. Even Bechdel publishes online now.

SO HERE'S WHAT'S GOING TO HAPPEN

I am going to scrap my publication! Is it annoying? Yes, but it's almost a relief to see it go. Instead I am going to produce 3 single page comic strips. I feel 3 will be a nice selection.

I will then provide context to this by posting them to social media. I think twitter and instagram will be most suited for this. I may also mock up a blog or website to show, as usually these internet are secondarily posted to artists websites and blogs for archiving purposes. 

AND I'M GOING TO MAKE THEM FUN. 

Another stumbling block I've come across is that I've been taking the autobiographical aspect very literal and thus I've been drawing mind numblingly boring content, People talking to each other, heads, people sitting down, more heads. Through talking to tutors I've come to realise it just isn't me. This kind of stuff is ok for a page or two, but beyond that I can't bring myself to draw any more. This may have worked for Alison Bechdel but we are different artists. So my strips will be much less literal and more experimental with telling the story.

I'm feeling a lot happier now, and am actually looking forward to making these final pieces.

Sunday, 1 January 2017

COP3: Marker Drawings


I feel these show how I've really gotten more comfortable with drawing myself