Wednesday, 27 April 2016

COP: COP2 Final Evaluation

I feel I’ve done better on Context of Practice this year. I feel my practical element is stronger and has a better idea behind it than my poster last year. I also tried to pick a narrower subject for COP this year as last year my topic was broader than I realised, similarly this year I tried to get a narrower subject and it still ended up being too broad. I think there was a lot to tackle but in the end I do think my essay is up to a good standard and has a nice argument which I feel could be the start of a bigger conversation. This year whilst researching for my essay I definitely found more relevant and interesting sources. I enjoyed reading quite a bit of them and even bought one as a book I liked it so much. I’m pleased with my essay overall as I feel it puts across some good points, and my passion and interest in the subject comes through. 

My theme was very hard to illustrate and get across so I wasted a lot of time worrying about what to draw instead of actually getting it out there. I feel I did get more into a rhythm in the end, but it was quite late on.I wish I’d done more development for the practical side style wise, as I created a certain amount and ran with the one which most appealed to people in my peer crit. On one hand the concept was the most important and strongest part, so technically style is secondary. I do however think the style is cute and very feminine, romantic and also optimistic, which is the kind of tone I wanted to end my essay on and the feeling I want to convey to those interacting with my final piece.

I feel my mount board panels look and feel nice, I was really pleased to have the opportunity to print digitally onto mount board as without it I would have had to drawn directly onto the board or screen printed it, both very time consuming, and considering I messed up cutting my first set of boards I was really lucky I didn’t have to. My final piece is very well received so far, as everyone who has seen it has played around with the panels immediately and enjoyed swapping them around, playing their own curator. I’m proud of the idea of my practical. I know that we were told not to illustrate our essay but instead pick from the general theme, which I think I’ve done because although the practical was inspired by quotes from my essay it does not directly illustrate it. I also think it pairs nicely with my essay as a simple way of engaging the person playing with the panels.

The cardstock the box is printed on isn’t the best for folding, I tried to ease this with a scalpel running lightly over it and a bone folder but there are still a lot of imperfections. However compared to the panels I don’t feel the box was too important, as it acts to protect and store the pieces and makes them have more of a game type feel rather than actually adding artistically and theoretically to the idea. It’s more like a belly band on a book than apart of the interactive piece. Although, if I were given more time I would have liked to have created a better box but I feel the one I made suits it’s purpose and fits in with the panels I created.


I feel I’ve definitely learnt about how to pick correct topics for writing about with this project. Both years I struggled to find art to illustrate my points as my arguments were mostly about invisibility etc. I did however learn that analysing one or two pieces in more depth can be worth more than many smaller ones. This is why I will be having an art based subject (although still following the theme of my last two essays) for COP3. I feel I’ll continue to progress in COP3. I’m finally getting better at blogging, (although this doesn’t reflect too well in my COP2 blogging as I started getting better only a month or so ago, it’s a painfully slow process.) I’m also getting more and more confident with writing and discussing my informed opinions and ideas, which I’ve always struggled with. 

COP3: First Proposal

Tuesday, 26 April 2016

COP: COP2 Final Practical Piece



Pros:
-Panels look great, the colours are nice and bright and not faded like I was worried they might be.
-The colour scheme is very nice and feminine
-Everyone whose looked at it so far has immediately started moving the pieces around and putting different combos together. People want to play with it.
-Gets across my idea well
-Engages the player

Cons: 
-Box card didn't fold as well as it could have, a different stock could have been better.
-Perhaps the box is boring? Maybe because of all the white. Maybe a coloured background would have softened it.
-The panels are all not perfectly the same size, they're close enough but maybe using the lazer cutter would have been better, but I'd never used it before and didn't have enough time to be inducted.
-Could have included a blurb explaining my idea more? But I think it might have looked crowded.

Overall:
-Happy with my panels and the piece overall.
-if I'd had more time the box would be different and I'd have maybe traditional ways of getting the pictures onto the board, eg, screenprint, paint, etc, however I feel these would only look good and not add anything to the ideas and concept.
-I feel if i had had more time I would have had a very similar outcome to what I have now, with the box construction being the biggest thing, so I don't feel like I desperately wanted more time.
-Again, happy people want to play with it!

COP: COP2 Final Essay

Monday, 25 April 2016

COP: COP2 Final Images Ready to Print




In the end went with a false marker look, using the same colour schemes and shading look. Not exactly the same, but I still think it looks very fresh and feminine!

COP: InDesign



Since I'm printing double sided, I'm pretty scared of misaligning my panels and not having them mirrored right when I cut them! So I went to ask a IT guy to explain how to get the best possible template for double sided card printing. I ended up creating a grid with guides and making boxes the dimensions of my final cards. Once I spaced them they were pretty easy to drop my artwork in. Once I centred them flipping them horizontal and centring those meant they should hopefully print right!


Sunday, 24 April 2016

COP: Box Mock Up



Decided on a 150mm by 90mm card, so I could try mae a box, here is a simple car box I made. I think this is the design I'll use.

COP: Box Development

With my box I decided to go for a less complicated design of a set of playing cards style box, rather than a box with a lid. I want to keep the box simple as it's not really the focus, more of something to keep the panels in and keep them together.

COP: Printing

Really nervous because the double sided printing may not work correctly. Mount board is so hard to print on. I aligned everything as well as possible but we'll just have to see what happens.

Saturday, 23 April 2016

COP: Sketches

I'm thinking of changing it so all hands are down, because it's weird when they don't match up!

I think they still do look romantic when you put them together and it's not about them matching perfectly (as the statues in "Queering the Museum") but the fact you put them together. Also they're already from different eras anyway.

Friday, 22 April 2016

COP: Final Crit


 I got some good responses from the crit, people seemed to really like the idea and the expressiveness of the poses in my sketches. The also liked the feel and colour scheme of my colic marker development.



A sheet I made explaining my idea clearly. I think this made people giving feedback a lot easier for them.


The final sketches I laid out.


Thursday, 21 April 2016

COP: Construction

I've been very worried about how I'll get my images onto the board pieces, screen printing would take a long time and printing on thinner paper+ sticking it to the board seems messy and unprofessional. Ideal I wanted to digitally print so I went down to the print dungeon. I was super pleased that James told me he could print on mount board and also print double sided. This means I can be more open with possible media

Wednesday, 20 April 2016

COP: Final Idea Designing

Here I'm sketching out potential myriorama ideas. I considered if they should have a detailed background or not and what kind of box I should use

Tuesday, 19 April 2016

COP: After Essay Key Points


Here you can see some of the key points from the drawings I did after my essay. I feel the colic work was the most successful, you can also see where I tested the colics on mount board for if I potentially had to draw straight onto it.

Monday, 18 April 2016

COP: Learning to Draw for a Subject

I found this exercise really hard. We had to draw surrounding a given theme of "NHS"

Thursday, 14 April 2016

Myriorama Content Thoughts/Linking to Essay

I feel my myriorama content is too simple but at the same time I don't want to create something too convoluted. My idea is to create cards that when put together have women from different historical eras kissing. It's simple but I think it can link to my essay very well as in the essay "Queering the Museum" it's talked about how unrelated male and female statues together, which shows the museum curators heteronormative bias, as putting them together makes them seem like a couple. By creating unrelated women that kiss when put together, the person using the cards almost become like the museum curator, putting together the pictures and women how they wish. I think it also undermines heteronormative values as it would be all women, and queers history by taking history and putting it against other historical figures.

Besides the book doesn't have to represent the essay completely, just a general theme.

Myriorama's



It's come to my attention I don't have enough time to finding out a good way to contract a 3D object, or a series of 3D objects that slot together. So I have an alternative of doing a myriorama. Myriorama's are sets of boards that can be put together in any order to make different scenes or pictures. The most famous type of these is the endless landscape. 

Above I have some examples of Myrioramas Including: 

-Mark Bischel's Endless New York street 
-an antique myriorama, these were where the originated from, they were very popular in victorian England.
-Tom Martin's crazy Myriorama
-more of Tom Martin's Myriorama sets
-Endless landscape  by Tom Gauld

Tom Gauld's is very cute, and a modern take on the traditional victorian landscape myriorama. I love the packaging and it's sepia colours make it very nice and subtle.

Tom Martin's myrioramas are crazy and pattern based, I don't think I'd try anything this crazy, but I do love his colours and boxes. I like the fact some are screenprinted as they can obviously see the beautiful screenprint textures coming through.